Them Porterhouse folks don’t mess around

I’ve taken delivery on all my Mark Ryden inventory, and now I’m trying to move it (I like talking like a real bookseller… it’s fun). Auctions are going okay on eBay… I probably should have waited a year to sell all this stuff, but the interest on my credit card I’d accrue from carrying it all for a year would really eat into my profit margins; plus, I’m really impatient. Right now, I’m set to lose about $30 on Quadratum if I don’t get some bids, and I’m competing with quite a few other copies up on eBay right now. With that in mind, I’m holding onto the Meat Show microportfolio to see if I can exploit some other avenues of sale for it, since it really is more valuable than it’s trading for right now (although I suppose that’s all subjective).

One thing I can say however, is that Porterhouse makes some really, really fine editions of Ryden’s work (which I suppose is important, given that Ryden owns and operates Porterhouse). Here is a picture of the Meat Show portfolio- the box cover, the prints wrapped in vellum and sealed with the Porterhouse seal, and the colophon, printed in gold foil and black on vellum and signed by Ryden:


It’s small, and I guess you could argue that the cards themselves really are just postcards, the same as you see from tons of galleries advertising this or that exhibition, but they are printed on heavier, glossier stock than you normally see, and the reproduction quality is excellent. I’m really impressed with the quality of work here; it’s a shame I just can’t really afford to keep it at this point.


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