Evidently, I’m not as dumb as I look. The “more common” edition of the Codex sold for $280… $20 MORE than the much more difficult-to-find first American edition I bought on eBay two nights ago. I will have a huge post about the Codex coming soon (I need to really let it ruminate… I’m going for 2000 words!), comparing all the different editions, with tons of details that no one cares about. But, suffice it to say for now, I can’t believe it sold for that much, especially to a French guy who could probably find it for its published price of 89 Euros at an art bookstore somewhere. (Or maybe it’s rarer than I think, and I’m just incredibly resourceful.) Anyway, I need to figure out what to do with the first-American edition before I buy another copy of the 2006 Codex- the cheapest copy on Abebooks is $650, which makes it the most valuable book in my collection (if you use the “cheapest copy on Abebooks” as a reliable measure of the value). Do I sell it? Sell other stuff to keep it? I’ll be up all night at this rate.
Since I’m sure people only read this blog for the [book] porn pictures, here’s the title page of the American Codex (the only one in any edition that is illustrated)…
As for the Serafini book, it sold for $200 in about 5 hours… even better than the first copy I sold. I knew I was onto something with that. Although, of course I immediately bought another one to sell, and after all this gloating, I’m sure I’ll end up getting $40 for it.
And on to the Ryden stuff… I’m stuck waiting out the current state of the market before I try to sell my expensive items. I lost money on Quadratum, one of his microportfolios, and I haven’t tried to sell the Artist Proof yet (I took it to some bookstores, but they didn’t offer me enough for it). I still have a later-edition microportfolio and a signed first-edition of his book that I’m dealing with… so it might be a while. And once it’s gone, I’m going to have to find a new market niche to research. Do the 2 people that read this blog have any hot leads for me?